Conclusion

The Last Element and Going On Stage

Being aware of the right questions was the goal. The recipe for it was the book structure itself. Now is the time to play it back with you as the author.

Your Turn

The tools for your own Reality Check

Being aware of the right questions was the goal. The recipe for it was the book structure itself. Now is the time to play it back with you as the author.

Recognize

Worksheet

For discovering and identifying self.

  • Worksheet PDF
  • Identity Sections
Understand

Playbook

For experimentation and collaboration.

  • Playbook PDF
  • Illustrated Steps
Accept

The Stage | Platform

For iteration, validation and statistics.

  • Interactive Worksheet
  • Interactive Playbook
Yulia Petrachuk
Interviewee feature
Practicing is not the same as performing.
Yulia PetrachukPresident and Artistic Director, Lyrica Classic
Faszinierende Uraufführung: Richard Strauss in Gotha Fulminantes

Yulia Performing Elektra

The American-Russian soprano Yulia Petrachuk shone from the start with her powerful, expressive voice, with which she was also able to outshine the orchestra. She underlined the text in a dramatic way with her facial expressions and gestures, with her expressive body movements. And where the drama demanded it, she fascinated with brilliant top tones. The listeners experienced an atmospheric instrumental narration during two orchestral interludes in the unmistakable Strauss melody. The melancholy, quiet passages were just as touching as the monstrous splendor of the full orchestral sound, which culminated in a self-destructive dance of Elektra.

Endless applause and shouts of bravo came from the audience in response to this overwhelming performance by Petrachuk and the Thuringia Philharmonic conducted by Ernest Hoetzl.

Gotha, Germany
Source: Thüringer Allgemeine, Gotha
Yulia Petrachuk performing Elektra in Gotha